Saturday, November 26, 2016

Behind the Grasses


"Behind the Grasses", oil on hardboard, 9x12"

A white barn, highly lit by the sun, hidden behind a sea of wheat and other grasses appeared abandoned when I shot this photo last month.  I think barns tend to exude that feeling.  Contrasted with the organic elements, I found this to be an interesting subject matter.  

Friday, November 25, 2016

The Place to Go


"The Place to Go", oil on gessoed board, 8x10"

Ah, cityscapes. Will it ever get any easier for me to accomplish?  This old soul of a building is walking distance from my house. I shot a few photos when the weather was warm and the light was bright.  I just need more practice.

Wednesday, November 16, 2016

September in Napa 2


September in Napa 2, oil on hardboard, 14x11"

Recently I found some precut hardboards at my local art supply store.  The price was reasonable, so I bought two to try. I had to gesso them which was enjoyable; the Ampersand gessobords that I usually paint on, come pre-gessoed, so it has taken some of the hands-on process away. When I was in college, I used power tools to make my own stretcher bars, stretched and stapled the canvas taut until it pinged (was hard on my hands), and then applied three coats of gesso. It was a ground-up process, and I loved it.  The hardboards turned out to be to my liking so I can paint a little bigger for a reasonable price. September in Napa 2 is referenced from another photo taken by my sister on a recent visit to her "second home".  The composition was so straightforward I had a bit of difficulty with it. I think, in the end, I liked the way the shadowed vines in the foreground broke up the space.

Sunday, November 13, 2016


"September in Napa"
oil on hardboard
11x14"

Yesterday after a quick warm-up painting, I hunkered down with some beautiful photos taken by my sister Claire. She visited her "second home" in September and sent me a lot of photos. When I began painting, I thought it would be nice to document various stages of the painting, starting with the toned board and sketch and progressing to the end. The first photo is the finished painting and then they progress henceforth. Let me know what you think.



Highlights and highway"
Oil on gessobord
8"x10"

I got up this morning to work on a quick, loosely stroked landscape to cheer myself up. I have had a rough week and needed some focus time. The reference for this painting was from the highway while driving to Kansas City last weekend to see my art school daughter!!
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