Empty Fields

Empty Fields, oil on board, 18x24"

Barreling down the highway for extended lengths of time never gets old.  The fun part is trying to take photos that aren't blurry, no matter how advanced of a camera (the camera operator is not advanced!).  Here is a flat, farm scene that I'm always on the lookout for.  I never tire of wondering how different their life is, compared to my urban dwellings. 

Long Run

Long Run, oil on gessoed hardboard, 8x10"

I have been looking at several contemporary painters that I consider successful abstract landscape painters. This can be a blurry area, and many attempt it. However, it is obvious when it is not done well.  This is my first honest and conscious attempt at abstraction with landscape.  I'm not sure it worked, but I am still happy with it and feel like I worked through it more then the eye can see. I believe I will continue to work on these - as small scale, learning works. Note to self: prepare a limited palette prior to painting based on reference photo or subject matter. 

The one less traveled by

"The One Less Traveled By", oil on hardboard, 20 x 16"

Last weekend my son and I went hiking at a mysterious patch of woods in the middle of the city. It is owned by the Archdiocese of Louisville and it is entered behind a parish church and a wonderful historic building that used to house Passionist Priests.  Way down this very path we found remains of a swimming pool formerly used by the priests, and a gratto that still housed Mother Mary, left behind after close to a century of standing in one spot.