Tobacco Storage

Tobacco Storage 

Oil on gessobord, 8x10"

Here is the third of three paintings done last week at Camp Nelson, in Kentucky. The wheat field I was overlooking was full of incredible color that changed with the light. The barn at the top of the hill is what drew my attention. It was a weathered grey, but in the light of the day, and against the brilliant wheat field color it was almost periwinkle. The sky was a similar color so the two blended together effortlessly.

One Tree Hill, France

"One Tree Hill, France"

Oil on gessobord, 8x10"

When I received this photo from my sister, who often visits France's vineyards, I loved the ancient stone structure and neatly tended rows of grapes. However, I was really drawn to the single tree waving in the wind. While it was overshadowed in a landscape of beauty, it became my focal point. When I search vast fields for my own composition, my eyes are often drawn to a single object. And often, it too, gets lost in a field of beauty.

Concealed

“Concealed”

Oil on panel

14x11”

This was a do-over of a painting I started last week while the weather was warm, and I was painting outside. I took it down to my studio this morning and redid just about everything other than the composition. A recent trip to Maker’s Mark distillery provided me with the photo reference, Wolf Kahn provided the color palette inspiration, Gamblin supplied me with paint and the rest is history.

Dissolve

“Dissolve”

Oil on panel, 14x11”

It’s been a while since I worked on a series of any kind. I’m not sure if this second painting, with photo references from Makers Mark in Loretto, KY will evolve into one, but it seems to be leading me in that direction.

Maker's Barn

Makers Barn, oil on panel, 11x14”

Some days are diamonds. Some days are shinier diamonds. Sometimes I have to start over after a wiper in order to create a painting to my liking. This is one of them.

Season's Overgrowth

Season's Overgrowth, oil on panel, 10x8"

Not anything to blog about with this painting, other than it is a great way to start my morning off with.

Sunswept

"Sunswept", oil on gessoed board, 11x14"

If you have ever scrolled through my paintings on the CeliaKellystudio page you will see over the last two years I have painted a lot of vineyard scenes. I have always love the symmetry and organization it took to plant and maintain rows and rows of fruit. And it helps to have a sister who sends unlimited photos of various Sonoma, Napa, Healdsburg, St. Helena and everywhere in between!!

Peace in the Valley

Peace in the Valley, oil on gessoed board, 20x16"

During a recent trip to Harpers Ferry, I hiked two days in a row in sudden onset thunderstorms.  It was an exciting experience that forces you to find your mettle within the forces of nature.  The second day, cover was sought under the Jefferson's Rock near the Harpers cemetery. Watching rain blow sideways, and the fog spurs rise across the Shenendoah, Maryland Heights and the town of Harpers Ferry below, was something I won't forget. 

Dog Hill, Cherokee Park

"Dog Hill, Cherokee Park"

11x9", oil on canvas

I have been thoroughly enjoying painting from sketches done on location, much more then plein air painting lately. Maybe it's a phase, but I feel I am having good results. I still get the outdoor experience but can tweak a painting to my liking in the studio. It's the best of both worlds.

Springhill #3

Springhill #3, oil on panel, 11x9"

Here is the third of 3 paintings from my jaunt to Springfield,KY a few weeks back. This one ended up my favorite. I really loved working from sketches and memory over my normal photographic references, so hopefully I will find some more inspirational landscapes to work from.

Springhill #2

Springhill #2, oil on panel, 11x9"

Here is the second painting produced from a multitude of plein air sketches a couple weeks ago. It was interesting  painting from sketches.... really allowed for the creative process to take over in all aspects.

Springhill #1

Springhill #1, oil on panel, 11x9"

A week or so ago, I traveled to a small vineyard an hour south of Louisville. It was a beautifully hot day, and in an extremely quiet country setting. It was the best medicine I could have given myself. I sat in various shady spots creating pen and ink drawings, breaking in a new larger sketchbook. It was nice to walk around undisturbed and focus. The greens were brilliant, and the shadows cool. From the ten or so drawings I produced, I decided to create a series of three. Instead of painting them in a linear fashion however, I set all three panels on the easel side-by-side. The idea was to work on them simultaneously (something I drew from my visit with landscape artist David Skinner in Asheville) so the color values and palette are not disjointed. Here is the first of three...

C & O Trail

"C&O Trail"

Oil on board, 24x18"

Last week I posted a couple sketches that I did at the C&O museum in Maryland, before a storm ran me out. This painting is produced from a reference photo while working that day. For a while the light was brilliant as I sat below the bridge that crosses the canal. There was just enough shade to work under.

Harpers View

"Harpers View" 

oil on canvas, 12x9"

I spent part of last weekend in the Northern Va area, painting in the cemetery at Harpers Ferry, WV. It is such a beautiful location. I edited the scene a great deal, for artistic and sacred reasons. Still the painting turned out much to my liking.

Hilltop Barn

Hilltop Barn, oil on canvas, 36x24"

This is one of the largest paintings I have done in years, and I love working this size again.  I feel like I may need to do away with the tiny paintings for a while, and regain my footing a bit larger.  I've been working slowly towards one of the cliches that are thrown around a lot, "emotional color palette" within my work, without being overly emotional!?!  But with that for me comes expansive space.   The combination is actually where the emotion lies. 

Spencer County Farm Lane

"Spencer County Farm Lane"

Oil on canvas, 14x18"

I went out sight seeking a couple of days ago, to seek both inspiration and composition. I didn't end up with a whole lot of material, but I had enough to work with to be able to combine photographs together, to make several potential paintings. This is the first.

Yellow Field Streaks

"Yellow Field Stripes", oil on canvas, 18"x14"

I haven't posted any new work in a while, so here's to breaking that streak. I have been mostly working on some drawings to change my pace. Settling back into painting over this weekend has been good for me, and working on canvas as opposed to panel, is feeling more natural.

Montreat Lake, oil on board, 14x11"

As I was leaving the western Asheville area last week I drove to the town of Montreat, home of the small liberal arts college. There appeared to be a very beautiful mixture of architecture for a tiny mountain town. To enter the town, one has to drive through an arch made of creek stones found in multitude close by. On the grounds of the College, I found a pond and a few places to take some reference photos. It was a peaceful paradise and a great place to study.

Black Mountain and Lake Tomahawk

Black Mountain and Lake Tomahawk, oil, 14x11"

I used a much bigger brush for the majority of this painting, and it was liberating.  It was a size 16 filbert instead of a 4 or 6 that I normally use. I found the 16 among some leftover supplies that my college kids didn't take with them and decided to give it a good home. It worked.  This photo reference is from the NC mountains, and a small lake.

Black Mountain, oil on board, 14x11"

I returned yesterday from NC full of inspiration. As a landscape painter, I am always invigorated by change of scenery, large expansive spaces containing small intimate shapes.  I tried to capture the light that took over the area for a few moments. The fields were illuminated and shaded by the swift clouds which made for some nice patchwork.

Rose Island Tributary

"Rose Island Tributary", oil on board, 14x11"

I am very pleased with this painting. I had been working on another painting for two days, and it was slowly getting the best of me.  Still, I was trying to make it work. This morning I wiped it off, very discouraged. I came across this reference after looking through some photos from a couple months ago.  I took it at Charlestown State Park in Indiana, where you can access the old Rose Island summer getaway spot from the turn of last century. They are conducting a lot of archeological research currently, to establish where all the buildings stood. There are oral history speakers now, which are helping to bring the memories back to life. The painting is of one of a tributary that feeds the Ohio River east of Louisville. 

Lit Forest Floor

"Lit Forest Floor", 10x8", oil on panel

The weather turned hot yesterday, which provided the perfect opportunity for an early morning hike.  It also provided the perfect opportunity to have the forest to myself. And I wish it was mine. Creek crossings and lots of limestone, pooled water (my dog enjoyed that), bird calls I haven't heard in a season,  drystack walls from multiple generations back, moss starting it's spring coat and more. It was senses overload for a good morning.  The tree canopy is yet to grow, but I will be back.

"Lofty Space", oil on board, 20x16"

I have been wanting to do an interior for a while, since wintertime is generally when we turn inward, literally and figuratively. This scene from a lofted building is a photo I took last winter about the same time. I thought it would be an easy one to start with, but it got the best of me. While most of the scene is outside the windows, I attempted to paint it so it would be secondary to the viewer, with the bright empty space being the more important. I hope I pulled it off. It is hard for me to gage since this is my first interior.

Golden Days

 

Golden Days, oil on gessobord, 12x12"

This field of winter grasses and left-over leaves bore the last resemblance to fall on this particularly sunny day in January. I took this photo reference while hiking in Indiana before my son returned to college after the holidays.

It is so wonderful to have a working knee again.

Michigan Dunes

Michigan Dunes, oil on gessobord, 12x12"

I tried to work on still life for about two hours yesterday, but it wasn't happening and they became swipers. I had found this photo a few weeks ago and saved it for another time, which ended up being yesterday and finished today. I need a vacay. Visions of beaches are seeping into my subconscious.

Early Spring

Early Spring, oil on gessobord, 6x6"

The weather is like none other this year. Call it what you will, but it's not normal. These jonquils sprouted quickly and bloomed in February. Regardless of time of year, they are always beautiful, and welcoming...a definite ushering in of spring.

Fishing Lake, Parklands 2

Fishing Lake, Parklands 2, oil on mounted canvas, 10x8"

I struggled with this painting to the point that the first version was wiped away with mineral spirits and a rag. The funny thing is, unlike gessobord, the image didn't completely go away. It was like a ghost :-) So I went with it, started over with the "ghosted image"and eventually was satisfied with the results. This is another image of the beautiful new Parklands of Floyds Fork park in Louisville.

Green Cove

Green Cove, oil on gessobord, 10x10"

Since I finished the Strada Easel 31/31 challenge 12 days ago, I have only worked on some studies, and I have been researching and looking at many artists that are new to me. My goal, stated many times over the past year has been to lean towards abstraction. And, even though it hasn't left my thoughts, I don't feel like I have accomplished this to my satisfaction.  Today's painting DOES do that and for that, I am very happy!  I bought a broad wash brush recently and used it for the first time today. It immediately felt right, and I started painting what has been locked in my head for months.  This little scene is from a cove at Lake Cumberland, painted from a photo that I took at the end of summer.  I guess I should thank Strada easel for the huge push that got me to this stage!

Fishing Lake, Parklands

Fishing Lake, Parklands, oil on mounted canvas, 10x8"

The Parklands in Louisville, is an incredible experience of newly acquired  land that borders one of the main, long creeks in the east-end of the county. Formerly sections of private land, it took nearly 15 years to piece together, and develop into a linear park, about 10-15 miles long. It includes waterfalls, small palisades, deep forest, areas for mountain and road bikes, long canoe or kayak passages, wildlife viewing, hiking, hiking and more hiking. My kind of place. Here is an unnamed fishing lake near one of the higher vistas. It had many small boulders on its outer banks that shown in the sun this particular day.

"Fair and Balanced"

"Fair and Balanced" oil on gessobord, 6x6"

#stradaeasel, day 27

I expanded on yesterday's carrots with the rest of the root vegetables. I like to call them soup vegetables! They are even more fun to paint then fruit.

A Little VItamin A

"A little vitamin A"

oil on gessobord, 6x6"

Day 26 of the strada easel, paint from life, 31 day challenge.  Whew. This challenge has been very... challenging!!  I have reverted to still life for most of the challenge which in the past caused me to break out in metaphorical hives.   I am finally getting more comfortable after spending more then half the challenge in the world of fruit and vegetables.  All my paintings from this challenge have been posted to my FB studio page.

Crooked Smile

With the inauguration still hanging in the air and all the immediate pen swipes taking place - including the National Endowment for the Arts, I really wanted to call this painting..."There was a crooked man and he had a crooked smile"  I want to feel like the country is moving forward but it is hard when a single human is standing in the way.

Stacked

"Stacked" oil on gessobord, 6x6"

Nine more paintings to do for this "paint from life challenge" for strada easel. It has been difficult in many ways, but I have been working with the difficulty and working through it. Today's painting was almost swiped many times, and it took me longer to do it than originally intended. I stuck with it...as a challenge to myself. It's not the best but, again, it was by far the hardest.

"Top Heavy"

"Top Heavy", oil on gessobord, 6x6"

It's all apples and oranges to me. Or so it seems.

Turkey Run Meadow

Turkey Run Meadow, oil on gessobord, 6x6"

#stradaeasel, day 16

Yay! I finally got outside - no rain until this evening, so I took advantage of it. After my dog and I took a 3 mile walk at a local park, I sat in my car and painted. I think I was smilng the whole time 

Opposites Attract

Opposites Attract, oil on gessobord, 6x6"

A second still life for day 11, with different apples. Yesterday's apples were consumed immediately after posting, with wine and cheese. It was a great dinner 

Three's a Crowd

"Three's a crowd",oil on gessobord, 6x6"

I'm one third of the way through the painting challenge, and unfortunately I am running out of gas. The weather doesn't allow me to go outside to paint. I am getting off work so late there is no daylight left, therefore, I am tired and lacking the ability to concentrate very long. Here is a still life, fresh off the easel. Now its time for a glass of wine.

Limes on Stripes

"Limes on Stripes", oil on arches paper, 6x8"

Day 5, #stadaeasel,
It's snowing outside today, so that means a snow day in Louisville. Not sure if I'm going to venture out in the snow just yet so I painted a quick still life. I haven't done one in a long time, so it was fun!

Cypress

Cypress, oil on arches paper, 8x6"

A sunny day at last to go do a quick( it's coollddd) painting of the plethora of cypress to choose from.

#stradaeasel, day 4

Colors Revealed

"Colors Revealed", oil on gessobord, 7x5"

Another day of painting in the fog (and drizzle).  Everything was so monochromatic except for a few patches of green and red.

"The Introvert"

"The Introvert, oil on gessobord, 6x6"

Day 2, Stada easel 31/31 challenge

We have had fog in the morning (and into afternoons) in the Ohio valley for several days now. It makes for interesting subject matter, and the colors are still. This painting has more color in it then just black and white if you look hard enough you will find blue, pink and orange.

Bald Cypress

Bald Cypress, oil on gessobord, 8x6"

Day 1
January 2017
31 day challenge

Happy New Year!

Painting in the fog this morning, and with a subject matter that is the first thing I look at each morning from my deck...two 30" Bald Cypress Trees.