Beside the Lake

Beside the Lake, oil on gessobord, 8x6"

I had the best of intentions yesterday, to start a long weekend working and painting outside in various locations. My intentions will not go as planned now as it is going to be a rainy weekend.  It was raining when I set up near a park lake under a tree but I didn't let that stop me. I painted for about 90 minutes before wiping the painting off.  Turning more towards the lake in a brief moment of light, I saw these little fuzzies lining the bank. Before the next downpour could do me in, I captured this little grouping.

Roundabout

Roundabout, oil on gessobord, 5x14"

The day after Thanksgiving provided me with the perfect weather and opportunity to paint outside. There is no better gift I can give myself.  This is a diptych of two 5x7" paintings.  The lake at Bernheim had some beautiful grey pockets of light floating around while I worked.  The background reeds and feathery plants hugging the far shore were made up of beautiful golden slivers.

Lake Cove

Lake Cove, oil on gessobord, 6x6"

This is the second painting that I did on my latest visit to Bernheim Forest and Arboretum. It is one of my favorite places to go when I have a day off or a weekend morning with nothing to do but hike.  There is a lake near the entrance that has many great, quiet places to set up to paint. I only turned my easel a little from "Lake View", to zoom in to get these illuminated reeds.  

Sprague Lake Reeds

Sprague Lake Reeds, oil on gessoed board, 9x12"

Sprague lake was one of those places on my recent trip that put me on senses overload.  We were finally to Rocky Mountain National Park by evening and had enough time before the sun set to take a small but beautiful hike.  Sprague is a shallow lake that attracts fly fisherman who stood like statues, casting long shadows.  It has several layers of illuminated reeds and shore boulders on one side.  And that was just the beginning of the trail!
This painting, however, almost bit the dust several times during the process of painting.  I am not that adept yet with painting water....despite giving it many shots.  I took a photo of the painting in progress and sent it to Hugh, now in college in St. Louis, telling him I was at a standstill. He gave me some simple advice on "fixing" the water, and 10 minutes later I had a painting that I liked. Just a bit more touch-ups and it was done.  I will say that I normally don't get so detail-y, but felt with the reeds, I couldn't do them justice without it this time.  I am thrilled though, at how "un-detail-y" the background is, basically the initial wash I put down, with a small bit of touch-up.